Thinking about the definition of #CreativeShifts as a central aspect of the notion of #TranslationalCreativity (departing from the ST structure by abstracting, modifying or concretising ideas) and how it relates to #NMT hallucinations.

https://www.erudit.org/en/journals/meta/1900-v1-n1-meta043/1008339ar/

@AnaGuerberof and @_atoral take this into consideration by emphasizing the role of acceptability: "creativity combines acceptability (i.e. something of value, fit for purpose) and novelty (i.e. new, original"
https://arxiv.org/ftp/arxiv/papers/2204/2204.05655.pdf

Both notions of acceptability and novelty are tricky, especially in #subtitling. E.g. a creative solution may be acceptable to the translator community (or praised as in #SubtítulosConCarácter) but questioned by viewers with some understanding the ST (see #SquidGame critics).